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anthro-art2025-03-06 16:38:382025-03-06 16:38:38Exploring the History and Evolutionary Causes of Sugutuu
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anthro-art2025-03-06 16:28:052025-03-06 16:28:05The Artistic Characteristics of Yi Folk Songs
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anthro-art2025-03-06 16:23:582025-03-06 16:23:58The Four Relational Dimensions of Performance-Centered Oral Music Research: A Case Study of Five Master’s Theses on Mongolian Oral Music
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anthro-art2025-03-06 16:12:542025-03-06 16:12:54A Study on Chinese Ethnic Minority Instrumental Music and Its Evolution from a Performance Perspective
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anthro-art2025-03-06 15:50:572025-03-06 15:50:57The American Center for Mongolian Studies – February 2006
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anthro-art2025-03-06 15:48:112025-03-06 15:48:11FINE ART, DESIGN AND TECHNOLOGY
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anthro-art2025-03-06 15:33:322025-03-06 15:33:32The music and nature connections within Mongolian tradition
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anthro-art2025-03-06 15:29:572025-03-06 15:29:57The Intangible Cultural Heritage Mongolian Knucklebone Shooting
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anthro-art2025-03-06 15:27:532025-03-06 15:27:53TEACHING CHARACTERISTICS OF MONGOLIAN FOLK SONGS
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anthro-art2025-03-06 15:20:272025-03-06 15:20:27PROBLEMS OF DEVELOPING THE COMPREHENSIVE SKILLS OF STUDENTS AS OPERA SINGERS
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anthro-art2025-03-06 14:10:022025-03-06 14:19:32Interaction of Symbols – Writing and Oral Transmission in the Modern Mongolian Rap Art Tradition
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anthro-art2025-03-06 14:05:562025-03-06 14:05:56On the Notation of the Melody in the Epic Ikh Jüngen Khatan
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anthro-art2025-03-06 14:03:422025-03-06 14:03:42The Expression of ‘Chinese Khöömei’ and Its Localization Practices
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anthro-art2025-03-06 13:56:492025-03-06 13:56:49Terminology for ‘Lingdong’ (Dynamic Spirit) – Conceptual Expression and Reinterpretation in Traditional Mongolian Music
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anthro-art2025-03-06 13:51:352025-03-06 13:51:35Basic Mode and its Manifestations of “Choir-Khoomei”System:On the Protection of Mongolian Khoomei
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anthro-art2025-03-06 13:45:072025-03-06 14:00:28Methods of Singing Traditional Chinese Folk Songs.Introducing The Bel Canto Singing Art
